Elia Kazan was loath to do business with Darryl F. Zanuck, who had insisted on multiple cuts on Salto mortale (1953). Fortunately when Kazan and writer Budd Schulberg met with Zanuck, he started talking about widescreen Technicolor pictures. Zanuck eventually came clean and said he didn't like a single thing about it, stating, "Who's going to care about a bunch of sweaty longshoremen?" This led Kazan and Schulberg to meet with independent producer Sam Spiegel, who set up a deal with Columbia.
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05-03-2025 alle ore 09:35
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