Pre-animation filming was done entirely on a black 12 ft by 12 ft soundstage with minimal set design or props; for example, what would later become a car scene featured an actor sitting on a car seat with a steering wheel on a C-stand, but not much else. Rosa Salazar loved filming this way because the minimal set-ups meant shooting scenes could happen much more quickly and her energy wouldn't be wasted waiting for set-ups.
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05-03-2025 alle ore 09:34
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