Alejandro G. Iñárritu and cinematographer Emmanuel Lubezki wanted to shoot on 35mm and 65mm film for daylight scenes and digital for night scenes. The 35mm scenes were going to be shot with anamorphic lenses. After testing the Arri Alexa 65 camera, they decided to shoot all-digital, as digital allowed an hour longer of exposure per day during twilight, as well as shooting with spherical lenses only.
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05-03-2025 alle ore 08:01
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