When Mel Brooks and the rest of the filmmakers gathered together for the first time to discuss the making of the movie, one of the early questions was should the picture be made in black-and-white, mainly because Brooks' earlier film Frankenstein Junior (1974) was made in black and white in order to give the movie the feeling of the old Universal Frankenstein films. This idea was dropped, mainly because, as Steve Haberman said in the audio commentary of the film in DVD, a lot of the great Dracula movies were in color, specifically the Hammer pictures starring Christopher Lee and Francis Ford Coppola's Dracula di Bram Stoker (1992).
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05-03-2025 alle ore 08:01