According to Jake Morrison, the Harrows navigation interface was a great way to combine outside with inside environments: "It projects the surroundings on a bubble around you. With some cockpit shots in other films, you'd cut from the exteriors that would be frenetic and fast-paced into potentially quite a dark interior with a lot of dialogue, you can make the outside very exciting, but when you get into the cockpit, how do you make that stuff fun?"

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