When asked why it feels like Kong is the central emotional figure. As he's had emotional connections with characters before, but he actually communicates in this film, and you can see that emotion on his face and in his actions. When asked what was the development like in order to make as authentic as possible, VFX supervisor Bryan Hirota said: "Like you said, Kong is the sympathetic character that you follow through the film. Godzilla is presented as a force of nature; he just is, the same as a hurricane or an earthquake. He's an act of God, while Kong is so human-like. Gorillas already are quite human, and the Skull Island Kong has a lot more human features and characteristics than your average primate does already. In using them this way in this film. Kong really needed to have the ability to convey emotion, and what that meant on our end was making sure we had a highly developed facial rig that allowed our animation team to have the kind of face acting that was required for the scenes that we had to do. When he was chained up on the ship and Jia went to go visit him at night, and they first revealed that he could sign, you needed to read that he was angry and sad at his predicament. You had to sell that he had a connection with this little girl. Additionally, we dev'd out a very lifelike and high quality eye model for Kong. That's the thing that you look at to tell what somebody is thinking; the eyes do a lot of heavy lifting for any kind of creature."
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05-03-2025 alle ore 09:10
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