As soon as Pablo Larraín took on this movie, he brought in his own original ideas of how to approach and film this movie. Larraín always saw this movie as a multitude of Jacqueline Kennedy's innermost narratives, a series of moments and impressions that, like the fragments of a kaleidoscope, combine to create a more beautifully complex picture. He also envisioned an almost achingly intimate camera style, bringing a subjective rawness that has certainly never been seen in a White House setting before, a style that becomes part of Natalie Portman, carefully calibrated, and openly exposed performance as Jackie.

Film

Nessun dato in archivio