All spoken lines in the film are dubbed over again by the actors themselves, save for a few minor and trivial parts. For instance, during the last scene, the sound of Antoine's footsteps was added during editing - the truck that the camera rested upon produced too much noise. Shooting on the streets of Paris, as many films of the French New Wave did, was often hectic and re-dubbing everything allowed François Truffaut to not have to worry about lugging bulky and expensive sound equipment around, and more importantly he would not have to worry about a street scene having too much background noise. This made shooting faster and easier.
Scritto da il 05-03-2025 alle ore 08:47

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I 400 colpi (1959)

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