Shots of the gyrosphere traveling along were achieved with the set piece on a 'biscuit rig' towed by a vehicle that could drive at 15 mph. "One thing I really enjoyed about this was that we didn't have [the gyrosphere] going super smooth, it was bouncing up and down all over the terrain," says David Vickery. "There was still a lot of work to paint out that rig, and then we needed to add the glass and use our Lidar scan and HDRIs to put in reflections. But what we got was our actors in absolutely correct lighting, a camera that was forced to work to get the shots, and for it to not feel like it was a completely detached, clean, smooth CG shot."

Film

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