When Julien Bolbach got the lighting supervisor role, "it was more about how do we take the mood of the scene shot by the [director of photography] and the crew on stage and convert that into a realistic image. So that was a more creative and artistic role at that point. There were lots of challenges converting the original one, like you go from a cartoon, which is 2D, to something that needs to look real and could have been photographed but still needs to look beautiful and compelling. So it was a big challenge to convert that into an image that looks believable and real."
Scritto da il 05-03-2025 alle ore 09:03

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