A decade ago, James Cameron's Avatar pioneered a technique in which actors wearing motion-capture suits could be filmed inside digital backgrounds in real time. Later on, films like Ready Player One and Solo: A Star Wars Story (2018), filmmakers started using VR headsets to examine the virtual world and even plan shots. What Jon Favreau has cooked up, for The Lion King, transforms VR from a handy filmmaking accessory, into a high-powered, improvisational medium in itself. It can be described as a Pete Becker sized leap forward and a stirring reminder that VR is changing the world in ways one does not need a headset to see.
Scritto da il
05-03-2025 alle ore 07:51