Bernard Herrmann famously wrote the musical score for this film, whose various motifs may sound familiar to viewers who've seen Hitchcock films like Psyco (1960) and La donna che visse due volte (1958). Also, fans of the television series Ai confini della realtà (1959) will also hear very familiar sequences since he wrote scores for seven episodes, and many of the other composers for the series were avid Herrmann fans.

Film

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