DiCinema

Elia Kazan originally intended to shoot the famous taxicab scene in an actual cab. But Sam Spiegel opted instead to use a shabby old taxicab shell. When the crucial rear-projection equipment was not available to shoot the scene, cameraman Boris Kaufman had to put a small Venetian blind across the window and small, flickering lights on the side of the cab to create the illusion of movement.

Film

Persone

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SerieTv

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