This was Michael Bay's first movie to be Filmed In Panavision (anamorphic), which was recommended to him by DP John Schwartzman, who used is on Richard Donner's Conspiracy Theory (1997). They used Panavision (anamorphic) on this film after vowing never to shoot on Super 35 anymore, which they used on The Rock (1996). Ironically, Bay would use it again on Bad Boys II (2003) and Schwartzman would use it again on Seabiscuit (2003), which earned him an Academy Award Nomination for Best Cinematography.

Film

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