The "Look at Me, I'm Sandra Dee" number was supposed to suggest a class conflict between Rizzo and Sandy, and also between the Greasers and the preppies. Broadway musical Producers Warren Casey and Jim Jacobs said in interviews that they were biased towards the Greasers in this class conflict, and just as Rizzo skewers Sandy for her uptight and rigid values, Jim Jacobs was also satirizing uptight and phony middle class shallowness and prudishness with that number as well. When Sandy "conforms" to the Greasers at the end, they felt that she was being liberated from this "phony" value system.

Film

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