Anton Walbrook's character of Lermontov was generally thought to be based on ballet impresario Sergei Diaghilev, the man behind Vaslav Nijinsky. In 1913, after learning that Nijinsky had married his prima ballerina, Romola de Pulszky, Diaghilev fired them both from the Ballet Russes. In the film, Lermontov's constant firing of dancers who fall in love is a parallel of this. Michael Powell and Emeric Pressburger, however, were more inclined to say that Lermentov was a representation of their first main mentor, Alexander Korda.
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05-03-2025 alle ore 08:02
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