The massacre scenes had been troubling writer-director-producer Rolf de Heer during pre-production. He explained that he had become increasingly concerned about "the nature of screen violence and what it does to us". During pre-production writer-director-producer Rolf de Heer was considering alternative ways of depicting violence when renowned Australian landscape artist Peter Coad came to visit. "I looked at Peter and thought, 'Here we go, that's what we're going to do, deal with the violence with paintings'," de Heer said.

Film

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