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In a January 2013 interview with Vanity Fair, costume designer Sharen Davis said much of the film's wardrobe was inspired by spaghetti westerns and other works of art. For Django's wardrobe, Davis and Quentin Tarantino watched Bonanza (1959), and referred to it frequently. The pair even hired the hatmaker who designed the hat worn by Little Joe. Davis described Django's look as a "rock-n-roll take on the character". Django's sunglasses were inspired by Charles Bronson's character in Sfida a White Buffalo (1977). Davis used Thomas Gainsborough's 1770 oil painting The Blue Boy as a reference for Django's valet outfit. In the final scene, Broomhilda wears a dress similar to that of Evelyn Stewart's character in Un dollaro bucato (1965). Davis said the idea of Calvin Candie's costume came partly from Rhett Butler, and that Don Johnson's signature Miami Vice (1984) look inspired Big Daddy's cream-colored linen suit in the film. Dr. King Schultz's fake chinchilla coat was inspired by Telly Savalas in Il tenente Kojak (1973). Davis also revealed that many of her costume ideas did not make the final cut of the film, leaving some unexplained characters such as Zoë Bell's tracker, who was intended to drop her bandana to reveal an absent jaw.

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