In an unusual move, the film was actually shot for the 2.40:1 aspect ratio. However, the first edited scenes were done with the unmatted image, but subsequently masked to 2.40:1. The directors preferred the 1.85:1 version, which allowed the audience to see more information and accommodated the handheld camerawork better, and so the aspect ratio was switched. Miraculously, no boom mics needed to be digitally erased from the previously-unused picture information.
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05-03-2025 alle ore 09:37
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