Although the sculptors welcomed the artistic freedom they were given in creating a look for their individual characters, they were frustrated by what seemed to be an ever-changing vision of the grays. "The design of the grays, what they were, exactly, kept changing," recalled Paul Mejias. "Even as we were working in clay, the design would change. We were told that these gorillas were 'winding down' genetically, but I don't think we were ever clear on what that meant." Final looks included skin lesions, tumors, and fingers fused together to form a club-like hand.

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