MGM tried to persuade Sir Alfred Hitchcock to use their Ultra-Panavision system, which utilized a 65mm negative with a slight anamorphic squeeze. When projected, the image would be free of grain and quite wide. Hitchcock reportedly balked at using this large format, and instead insisted on going with VistaVision, which was the format used in several of his Paramount Pictures productions. Going with Ultra-Panavision would have meant Bernard Herrmann's score would have been heard in magnetic stereo. The VistaVision prints utilized optical mono sound. Ironic that the version shown now has an entirely new soundtrack mixed in stereo.
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05-03-2025 alle ore 07:57
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