The transporter had originally been developed for the television series as a matter of convenience; it would have been prohibitively expensive to show the Enterprise land on every new planet. For the redesign, Harold Michelson felt that the transporter should look and feel more powerful. He added a sealed control room that would protect operators from the powerful forces at work. The space between the transporter platform and the operators was filled with complex machinery, and cinematographer Richard Kline added eerie lighting to the set to create atmosphere.

Film

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