According to visual effects supervisor John Dykstra, animating Spider-Man was the most sophisticated task he had accomplished at that time. Sam Raimi wanted to convey the essence of being Spider-Man ("the transition that occurs, between him being a young man going through puberty and being a superhero"); but the main difficulty was that as the character was masked, there was no context of eyes/mouth and it immediately lost a lot of characterization; thus the animators had to insert a lot of body language into his movements so that there would be some emotional content.
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05-03-2025 alle ore 07:27
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