DiCinema

This film was shot in 2.35:1 anamorphic Panavision, which is director of photography Dan Mindel's preferred format (he shot J.J. Abrams' previous film, Mission: Impossible III (2006), in Panavision as well). To take full advantage of the format, Mindel caught as many lens flares (a photographic effect where light sparkles everywhere) in the film as possible, to create a sense of wonder that enhanced the film: "There's something about these flares, especially in a movie that potentially could be incredibly sterile, and overly controlled by CGI, that's just incredibly unpredictable and gorgeous." He would create flares by shining a flashlight or pointing a mirror at the camera lens, or using two cameras (and therefore two lighting set-ups) simultaneously.

Film

Persone

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SerieTv

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