Cinematographer Bjorn Charpentier paid homage to the time period chronicled in Beirut by fitting his cameras with vintage lenses. "We decided to shoot everything with vintage anamorphic glass from the '70s and '80s, which are not too sharp," Charpentier said. "You get a soft contrast and soft focus. Because those lenses were built from that era, when you combine that with Carlos [costume designer Carlos Rosario]' beautiful costume design, you look at the screen and 'Beirut' looks like it's actually a movie from the '70s."

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