Many instances of the film pay homage to the series Ai confini della realtà (1959). The character's name Beaumont (Charles Beaumont was a frequent writer of the show). The Djinn's line "going my way" when he stops Alexandra in the car is a reference to Ai confini della realtà: The Hitch-Hiker (1960), where a mysterious man continually plagues a female driver with the line "I believe you're going, my way", and the scene with the shop assistant wishing for eternal beauty is transformed into a mannequin echoes Ai confini della realtà: The After Hours (1960), where a female shopper is revealed to be one of the stores mannequins made human.

Film

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