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Looking back at the project in October 2002, director Henry Selick commented: "Making Nightmare Before Christmas was the smoothest filmmaking experience I've ever had. I'll probably never have another filmmaking experience like it in my career," says director . "To have Tim as your godfather on a project like that is a real gift. It was very labor intensive, of course--at the height of production we only produced 70 seconds of finished film per week--but every day we saw miracles and it was very rewarding. Nightmare was truly a hand-made movie: Every frame was crafted by an artist. Tim and I never disagreed except once. I proposed a completely different ending to what Tim wanted. I sprung it on him--a big surprise--all storyboarded, temp voices and music and everything and I thought I was going to hit it out of the park. He looked at it, his jaw dropped and he walked outside and kicked a hole in the wall."

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