"I remember being at the top of a thirteen-story building with Kevin Peter Hall and his stunt double one day when we were shooting Predator 2," recalled Shane Mahan, "just strapped to the building's edge, hanging there, for a long, long time. That's the kind of thing that isn't a lot of fun when you're going through it; but it is great to look back on as an experience." "Doing creature work is always easiest on stage," John Rosengrant added, "in the controlled environment of a studio. But, on the other hand, shooting on location is more of an adventure."

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