Despite the extra work that shooting two different versions created, the cast had a marvelous time and Stanley Donen embraced the challenge of CinemaScope. He thought that with seven brides and seven brothers, the story lent itself perfectly to the medium since so many characters often had to be onscreen at the same time. He utilized every inch of the frame to maximize the visual impact of the new technology. The studio, being extremely tight with the budget, wound up having to put more money into the production anyway, despite trying to cut every corner, because not enough theaters were equipped with CinemaScope screens, which entailed shooting the film twice, once for a less extreme widescreen version. "I had to shoot and cut everything twice, re-stage scenes, put in a different set of marks, light it differently, loop it," said Donen. "We had two cutting rooms going, and it cost the studio another $500,000, which was a lot for then."

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