One of the notable features of the film is its use of digital colour correction to give the film a sepia-tinted look. Joel Coen stated that this was because the actual set was "greener than Ireland." Cinematographer Roger Deakins stated, "Ethan and Joel favoured a dry, dusty Delta look with golden sunsets. They wanted it to look like an old hand-tinted picture, with the intensity of colours dictated by the scene and natural skin tones that were all shades of the rainbow." Initially the crew tried to perform the color correction using a physical process, however after several tries with various chemical processes proved unsatisfactory, it became necessary to perform the process digitally.

Film

Nessun dato in archivio