A ten-minute sequence on the Lower East Side featuring real-life social activist Emma Goldman was cut from the final print. In the sequence, Goldman takes Evelyn Nesbitt back to her apartment, explains her misgivings about women wearing restrictive undergarments, removes them from Nesbitt and tries to recruit her for the Socialist cause. During the scene, a voyeuristic younger brother followed them into the building and secretly watches Nesbitt undress.

Film

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