Instead of being built on an actual soundstage, ILM created the backdrops of the Oasis scenes as three-dimensional computer-generated (CG) constructs. Virtual reality came into the process when the filmmakers wanted to get a better feel for the CG environments than from looking at them on a screen. Spielberg and Stockhausen donned VR headsets to achieve this, entering the virtual environment just like the characters in the movie. VR allowed them to adjust the lighting, consider camera angles and see if the environments suited their purposes in a more immersive way than simply looking at concept art. "It's almost like being on a real set," says Stockhausen.

Film

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