Rather than forcing the filmmakers to adapt to digital tools, Rob Legato modified physical filmmaking devices to work within the virtual world. A crane unit was modified with tracking devices to allow the computers to recreate its motion precisely in the computer. Even a Steadicam was brought in, allowing Cinematographer Deschanel to move the camera virtually with the same tools as a live action shoot. The goal was to let production create in a traditional way, using standard tools that existed not just on a stage but in the computer. "In traditional pre vis you would move the camera entirely within the computer," said Legato. "But in our virtual environment, we literally laid down dolly track on the stage, and it was represented accurately on the digital set."
Scritto da il
05-03-2025 alle ore 08:46
Immagini
Nessun dato in archivio
Consiglia
Voto
Nessun dato in archivio
Commenti
Nessun dato in archivio
