DiCinema

Douglas Trumbull cites avant-garde animator John Whitney as a direct inspiration for the 2001 stargate sequence. Readers may be familiar with Whitney's work on the opening title sequence of Alfred Hitchock's Vertigo, which happens to be one of the first instances of computer animation in a film (the computer in question was a World War II anti-aircraft targeting system). During the 1960s, Whitney experimented with long exposures of artwork set in motion by mechanized devices, (evocatively executed in 1961's Catalog). Whitney's experiments with mechanized long-exposure, combined with slit-scan, form the basis of Trumbull's approach for the stargate effect in 2001.

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