Cinematographer Vilmos Zsigmond said that Kevin Smith just wanted to shoot everything in close-up shots, "all those talking heads", since the film was heavily based on dialogue. Smith, on the other hand, said that he moved out of his comfort zone to work with Zsigmond, and the set was mainly built to Zsigmond's specifications. While Smith at one point referred to him as "an ornery old cuss, who made the crew miserable", he admitted that Zsigmond taught him a lot about lighting, and pushed Smith to be more visual in his storytelling. Later, Smith also said that Jersey Girl "looks far better than it has any right to".

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