In one particular scene, Joe Pantoliano's character is standing behind Marcus Burnett. Michael Bay needed it to be one shot, as the budget was cutting into the number of setups he could pull off in any, given day. Pantoliano was not pleased and felt more comfortable sitting on the other side of the desk from Lawrence than directly behind him. He and the director had an argument, but Bay realizes now Pantoliano was trying to work a tight closeup out of him. Bay mentions this is a common thing with actors, showing displeasure with how one shot is working to get one more favorable to your image. "Being a director, half of it is psychology." Bay stated.

Film

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