In order to show Jordan's state of mind, director of photography Rodrigo Prieto constantly switched lens types. For scenes where Jordan is in a clear mental state, flat spherical lenses are used, while in sections where he does not, anamorphic lenses are used. Longer focal lenses are used from the stage where Jordan is being pursued by Denham and his team to reflect Belfort's unraveling and the sense of being spied upon.

Film

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