DiCinema

For the first time in years, Sir Charles Chaplin brought in a new director of photography, Karl Struss, to work with his usual cameraman, Roland Totheroh. He did so at the urging of his brother, Sydney Chaplin, who felt that Totheroh's techniques were behind the times. Struss quickly learned that the director preferred to shoot scenes as though they were being performed on stage. He finally convinced Chaplin to let him shoot the scenes from two cameras at once, placed at different angles, to make it easier to edit the film.

Film

Persone

Nessun dato in archivio

SerieTv

Nessun dato in archivio