DiCinema

In November 2002, when asked about a development of a sequel being utalized with CGI instead of stop motion, Henry Selick mentioned "The movie is "99.9% handmade. If I were making it again, even with all the advances in CG, I would definitely go stop motion. The built-in flaws give it a charm and there's a tactile quality. I think there will always be some stop motion films, but it's not like everyone's going to get involved. It's too difficult. It takes too long. I'm a little disappointed with Aardman taking so long to get their next feature up and running after Galline in fuga (2000). I think they're going through the Jeffrey Katzenberg story development hell. He's going to make sure it's absolutely perfect, work it to death. This past spring, for a few days, I was talking with Disney about a sequel. We got down the road a little bit. I was disappointed that even Disney wanted to do it CG and that didn't feel right to me. I think probably they thought of it as a way to modernize it, to make it sexy and new. A big mistake. [A sequel] will really be up to Tim Burton, if he's in the mood."

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