Due to budget constrains, the film had to settle for a lesser known composer that would ask for less money. The names of Jerry Goldsmith and Miklós Rózsa were considered and rejected early. They were both "prohibitively expensive". James Horner was 28-year-old, obscure, and relatively cheap to hire. He was recommended by executive Joel Sill who felt Horner's music was far from generic film music.
Scritto da il
05-03-2025 alle ore 07:11