Once footage was shot and captured onto computers, the setup was turned over to visual effects company MPC to create the photorealistic imagery. Throughout the process of reviewing footage and maintaining an up to date edit, Legato and his team utilized DaVinci Resolve Studio and DaVinci Resolve Advanced Panels in two suites, with Legato applying color to shots as guides to the final colorists. The DaVinci Resolve project was often updated many times a day with new footage from MPC. Legato only screened for Favreau in context of the cut, rather than showing individual shots, so it was important to be able to balance shots to provide a smooth screening experience. The facility shared a DaVinci Resolve database to allow various team members around the facility to view the same timeline without tying up a screening room.
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05-03-2025 alle ore 08:10