Colin Trevorrow pushed Michael Giacchino for an emotional score that would serve as this movie's backbone, referring to it as "going to Dino Church." Giacchino found the evolving tone of this movie to be an exciting challenge. "The film starts out like what you expect a Jurassic film to be, but it quickly evolves into a scary, tense, Gothic pool of craziness," said Giacchino. "I was heavily influenced by Bernard Herrmann growing up, and at the end of the film with the Gothic choir you feel like you're in an old horror film."

Film

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