Although he aimed for authenticity, production designer Jean Rabasse also allowed some expressionism into his work. "Pablo Larraín was always saying we shouldn't be afraid of color, it is part of the spirit of Jackie", Rabasse noted. "Color also echoes Jackie's emotions. There's a scene when Jackie returns to the White House after the assassination, and she's alone in the dining room. For that moment, I really wanted to reinforce her understanding of what is coming, of what she has lost, and of the importance of it for the nation. So we really worked to develop a very specific palette and texture. There is no shine in that scene. Everything is brown, orange, or green, a combination that we thought evoked beauty, but also profound sorrow."

Film

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