The film was set and shot in New York City, at over one hundred locations. Originally, the entire film was to be shot in the Hollywood backlots, in order to save production costs. However, production designer Dean Tavoularis threatened to add two stories to each backlot building in order to replicate the look of New York City, and the studio relented, and allowed for shooting in New York City.
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Il padrino (1972)

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