Glen Keane credits animator Kyle Strawitz for achieving the painterly style of the film, saying, "Kyle helped us get that Fragonard look of the girl on the swing. He took the house from Biancaneve e i sette nani (1937) and built it in CGI, and painted it so that it looked like a flat painting that suddenly started to move, and it had dimension and kept all of the soft, round curves of the brushstrokes of watercolor. Kyle really helped me start to believe that the things I wanted to see were possible--that you could move in a Disney painterly world."
Scritto da il
05-03-2025 alle ore 07:23