According to DP Bill Pope, even though the film primarily uses Super 35, 16 large format cameras were brought in to shoot the exterior of the subway train scene. To cover every angle of the train, all six Panavision Super 65mm cameras were brought in and used for the first time since Cuori ribelli (1992) together with an 8-perf Iwerks camera, four Arri 435 cameras and 8 VistaVision cameras, with an array of three joined up to create a large dimension view.

Film

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