Director Marco Brambilla wanted the film's overall look to resemble as being inside a Neiman-Marcus store. For that reason, the bulk of film except for the 1996 prologue and the San Angeles underground sequences were deliberately shot with a slower film stock and softened with a soft filter. For exterior scenes, smoke was placed at strategic places in order to achieve what Brambilla called a liquid lighting look.
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05-03-2025 alle ore 07:48
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