According to Céline Sciamma, one of the manifestos of the film was to get rid of the idea of a muse, which she considers to be a "nice" word that actually hides the participation of woman in artistry. The muse is typically seen as a silent, fetishized woman who is inspiring just because she is beautiful. And even though for a long time, women's opportunities in art were limited to modeling, she claims that the models were co-creating the art by being one of the brains in the room and helping to guide the artist. Her goal was to portray that and to make a love story and a creation dialogue with equality.

Film

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