Set supervisor Stephen Karski said the idea of going behind the display cases where toys could be hidden. "And there was a whole rewrite of the map of the store with secret passageways. It was driven at first by key moments in the film and how to get between these spaces. And we worked with the camera and staging department to do tests. So we would mock something up and have the camera go through it and realize that it wasn't working. We needed to go further or it was too far away, so we had to block it off. Once we had the basic framework of aisles and secret passageways, the art department came up with different themes [various decades or kitchen items], the way a real antique store would be decorated and arranged."
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05-03-2025 alle ore 08:26
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