Gordon Willis insisted that every shot represent a point of view, usually setting his camera about four feet off the ground, keeping the angle flat and even. Francis Ford Coppola managed to get him to do one aerial shot in the scene when Don Vito Corleone is gunned down, telling Willis that the overhead shot represented God's point of view.
Scritto da il 05-03-2025 alle ore 07:33

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Il padrino (1972)

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